How to turn a Portrait into Informel Art

How to turn a Portrait into Informel Art – Developing, Performance on Occasion of the Opening of the Exhibition Sehnsucht nach dem Jetzt (Longing for the Now), 2020 Schloss Biesdorf, Berlin, 2020

How to turn a Portrait into Informel Art – Watering, Performance at the Opening of the Exhibition Sehnsucht nach dem Jetzt. …weiterlesen

Himmel und Hölle at ArtMbassy, Berlin

Himmel und Hölle (Heaven and Hell – Cootie Catcher), 2007, Silver Gelatine Print on Travertine (Photographic Emulsion Applied by Hand), appr. 480 x 280 cm Exhibition at ArtMbassy, Berlin 2008

Himmel und Hölle (Heaven and Hell – Cootie Catcher), 2007,
Silver Gelatine Print on Travertine (Photographic Emulsion Applied by Hand), appr. 480 x 280 cm
Exhibition at ArtMbassy, Berlin 2008 …weiterlesen

Joachim Seinfeld: Hanging Garden, Silver Gelatine Print on Glass, Metal Frames, 200 x 350 cm appr., 2008At Bazaar – Zur Strategie des Risikos (On the Strategies of Risk), 5th Berliner Kunstsalon, Berlin, 2008
Joachim Seinfeld: Hanging Garden, Silver Gelatine Print on Glass, Metal Frames, 200 x 350 cm appr., 2008
At Bazaar – Zur Strategie des Risikos (On the Strategies of Risk), 5th Berliner Kunstsalon, Berlin, 2008
Hanging Garden, Silver Gelatine Print on Glass, Metal Frames, 200 x 350 cm appr., 2008At Bazaar – Zur Strategie des Risikos (On the Strategies of Risk), 5th Berliner Kunstsalon, Berlin, 2008
Hanging Garden, Silver Gelatine Print on Glass, Metal Frames, 200 x 350 cm appr., 2008
At Bazaar – Zur Strategie des Risikos (On the Strategies of Risk), 5th Berliner Kunstsalon, Berlin, 2008

1000 Jahre Frohsinn (1000 Years of Cheerfulness) | BombenBunkerStimmung

1000 Jahre Frohsinn (1000 Years of Cheerfulness) as part of the installation BombenBunkerStimmung next to the entrance. This part of the Air Raid Shelter was used by an Antiquities Dealer. The images with the grey frames and the Silver Gelatine Prints on Glass in Front of a a Grey Background were added by me; View into the exhibition Zeit, organised by GaDeWe in one of Bemen's Air Raid Shelters from the Second World War, Bremen, 2000

At the exhibition Zeit, organized by GaDeWe in one of Bemen’s Air Raid Shelters from the Second World War, Bremen, 2000 …weiterlesen

BombenBunkerStimmung

BombenBunkerStimmung; Gelatine Print on Wall, 200 x 500 cm appr., Filmloops from World War II, Sound, At the exhibition Zeit, organised by GaDeWe in one of Bemen's Air Raid Shelters from the Second World War, Bremen, 2000

At the exhibition Zeit, organized by GaDeWe in one of Bemen’s Air Raid Shelters from the Second World War, Bremen, 2000 …weiterlesen

The Cyborg – How He Came Into the World

Der Cyborg – Wie er in die Welt kam (The Cyborg – How He Came Into the World) I-III and V, Silver Gelatine Print on Plywood, 88 x 77 cm each, 2006 View into the artMbassy booth at Preview Art Fair Berlin, 2007

Der Cyborg – Wie er in die Welt kam (The Cyborg – How He Came Into the World), Installation views Gallery 36 and Preview Art Fair, 2007 …weiterlesen

Sala Pittura of the Swiss Pavillon at the Biennale di Archtettura, Venice 2012

286 square meter of silver gelatine print developed directly on the wall; project carried out by Michael Zirn, Claus Feldmann and Joachim Seinfeld, Venice 2012

The photograph in the Sala Pittura of the Swiss Pavilion is probably the largest analogue black and white assembled photograph ever developed onto a wall: Five meters high, 58 meters long; a total of l 286 sqm silver gelatine print applied and developed directly on the wall. …weiterlesen