silberkatz, Autor bei Joachim Seinfeld

Joachim Seinfeld: Gallery, Performance, 2003Idiotie und Extase, Tacheles ext., Berlin, 2003
Developing the Portraits of the Visitors at the Opening — Idiotie und Extase, Tacheles ext., Berlin, 2003
Developing the Portraits of the Visitors at the Opening

How to turn a Portrait into Informel Art

How to turn a Portrait into Informel Art – Developing, Performance on Occasion of the Opening of the Exhibition Sehnsucht nach dem Jetzt (Longing for the Now), 2020 Schloss Biesdorf, Berlin, 2020

How to turn a Portrait into Informel Art – Watering, Performance at the Opening of the Exhibition Sehnsucht nach dem Jetzt. …weiterlesen

Führer in Berlin

Führer in Berlin – eine Topographie der Fettnäpchen ", 2003 Lange Nacht der Museen, Juedisches Museum , Berlin, 2004 Foto: copyright by Soenke Tollkuehn

Führer in Berlin – eine Topographie der Fettnäpfchen …weiterlesen

Souvenir Photograph

Souvenir Photograph, Installation, since 1994- ongoing At the Exhibition 4 KS 2/63 – 40 Jahre Auschwitzprozess at Martin Gropius Bau, Berlin., 2004

Souvenir Photograph, Installation, since 1994- ongoing …weiterlesen

Save the Day

Save the Day – The Day Yves Klein Lost His Marbels in a Laundry (Detail), 2013 Wooden Box, Tiles, Blue Wasching Balls, Glass, Text, 28 x 31 x 31 cm

Save the Day
– The Day Yves Klein Lost His Marbels in a Laundry
– Late Breakfast With Joseph Beuys
– Kurt Schwitters: Grey Days in March
– Meret Oppenheim‘s Hangover …weiterlesen

Projektion (Projction), Second Version, 1994Self-built Slide Projector, Archival Photo Material, Light Source
Manie, Galleria Bordone, Milan, 1995 — Projektion (Projction), Second Version, 1994
Self-built Slide Projector, Archival Photo Material, Light Source
Manie, Galleria Bordone, Milan, 1995

Projektion (Projction), First Version, 1994Self-built Slide Projector, Archival Photo Material, Light Source
At the Exhibition Schicht um Schicht at Block 16, Hannover, 1994 — Projektion (Projction), First Version, 1994
Self-built Slide Projector, Archival Photo Material, Light Source
At the Exhibition Schicht um Schicht at Block 16, Hannover, 1994

Liskor Marja

Liskor Marja, First Version, 1997 Installation with b&w Photography, Glass Rods, Light Source At Kunstlandschaft III, Kunsthaus Flora, Berlin, 1997

Liskor Marja,
Installation with b&w Photography, Glass Rods, Light Source …weiterlesen

Lager

Lager, Second Version, 1992 Body Prints and Stancel Writing on Cots – 24 pieces At the Exhibition Eingerichte, Overgarden Gallery, Copenhagen, 1993

Lager, Body Prints and Stancel Writing on Cots – 24 piece …weiterlesen

Individuum

Individuum (Triptych), 2006 Black and White Analogical Photographs on Transparent Self-Adhesive Film, At Ausstellungszentrum Pyramide, Berlin

Individuum (Triptych), 2006
Black and White Analogical Photographs on Transparent Self-Adhesive Film,
At Ausstellungszentrum Pyramide, Berlin …weiterlesen

Joachim Seinfeld: Ego Shooter – Friendly Fire, First Version (Screen Shot), 2004 Installation with Computer, Monitor and Light Gun at the exhibition SeinfeldIMmeinblau, 2004 In the backgroung works from Holiday Paradise or All the Way to Bihac

Ego Shooter – Friendly Fire. When firing on the Target the image on the Monitor changes and you notice that you shot yourself. …weiterlesen

Besuch (Visit)

Besuch (Visit), 2004, Installation with Mixed Media (Cot, Information Signs and Sound - Excerpt from Brahms Piano Quartett No. 1, op. 25 and Birds' Chirping) at Kunstlandschaft X, Kunsthaus Flora, Berlin, 2004

Besuch (Visit), 2004, Installation with Mixed Media (Cot, Information Signs and Sound – Excerpt from Brahms Piano Quartett No. 1, op. 25 and Birds’ Chirping) at Kunstlandschaft X, Kunsthaus Flora, Berlin, 2004 …weiterlesen

Alles muss haargenau in eine tobende Ordnung gebracht werden

Alles muss haargenau in eine tobende Ordnung gebracht werden, 1992, interdisciplinary Event, Installation with Mixed Media (together with Jörn Werner), Reading of Textes from Antonin Artaud and Friedrich Höderlin (Thaddäus Zech), Music by Ralf Santo, at KARG, Oldenburg, 1992

Stalowa Wola-Targ and Krakòw-Wawel

Stalowa Wola-Targ, Silver Gelatine Print on Glass, 120 x 90 cm appr., 1997, At the exhibition Response–Odpowiadać, Kunstraum Berlin Berlin, 1997

Stalowa Wola-Targ and Krakòw-Wawel at the exhibition Response–Odpowiadać, Kunstraum Berlin, 1997 …weiterlesen

Modernisierungsmaßnahme / Modernisation

Modernisierung I (Modernisation I), Close Up, Silver Gelatine Print on Wall, 70 x 40 cm appr., 1996

Modernisierung (Modernisation), at the exhibition Raum und der Raum, A&O Gallery Berlin, 1996 …weiterlesen

Himmel und Hölle (Heaven and Hell – Cootie Catcher), (Detail), 2007,Silver Gelatine Print on Travertine, appr. 480 x 280 cm Exhibition at Castello di Alcamo, Italy, 2007 — Himmel und Hölle (Heaven and Hell – Cootie Catcher), (Detail), 2007,
Silver Gelatine Print on Travertine, appr. 480 x 280 cm
Exhibition at Castello di Alcamo, Italy, 2007

Himmel und Hölle at ArtMbassy, Berlin

Himmel und Hölle (Heaven and Hell – Cootie Catcher), 2007, Silver Gelatine Print on Travertine (Photographic Emulsion Applied by Hand), appr. 480 x 280 cm Exhibition at ArtMbassy, Berlin 2008

Himmel und Hölle (Heaven and Hell – Cootie Catcher), 2007,
Silver Gelatine Print on Travertine (Photographic Emulsion Applied by Hand), appr. 480 x 280 cm
Exhibition at ArtMbassy, Berlin 2008 …weiterlesen

Joachim Seinfeld: Hanging Garden, Silver Gelatine Print on Glass, Metal Frames, 200 x 350 cm appr., 2008At Bazaar – Zur Strategie des Risikos (On the Strategies of Risk), 5th Berliner Kunstsalon, Berlin, 2008 — Joachim Seinfeld: Hanging Garden, Silver Gelatine Print on Glass, Metal Frames, 200 x 350 cm appr., 2008
At Bazaar – Zur Strategie des Risikos (On the Strategies of Risk), 5th Berliner Kunstsalon, Berlin, 2008

Hanging Garden, Silver Gelatine Print on Glass, Metal Frames, 200 x 350 cm appr., 2008At Bazaar – Zur Strategie des Risikos (On the Strategies of Risk), 5th Berliner Kunstsalon, Berlin, 2008 — Hanging Garden, Silver Gelatine Print on Glass, Metal Frames, 200 x 350 cm appr., 2008
At Bazaar – Zur Strategie des Risikos (On the Strategies of Risk), 5th Berliner Kunstsalon, Berlin, 2008

Fremd ist der Fremde nur in der Fremde

Fremd ist der Fremde nur in der Fremde (Detail), Cyanotype, 6 Banners with Images and 6 Panels with Text, 1993

Installation/Exhibition in the Lobby of the Oldenburg State Theatre …weiterlesen

Freie Fahrt at Overgarden Gallery, Copenhagen, 1994

Freie Fahrt (Detail), Van Dyke Photographic Emulsion on Paper, Archival Boxes, Metal Frame, 1993

Forgotten cemeteries

Salomon Bandet & Ida Seinfeldowa, Silver Gelatine Print on Wall, 1995 Manie, Galleria Bordone, Milan, 1995 Photography by courtesy of A. Giudetti

Manie, Galleria Bordone, Milan, 1995 …weiterlesen

1000 Jahre Frohsinn (1000 Years of Cheerfulness) | BombenBunkerStimmung

1000 Jahre Frohsinn (1000 Years of Cheerfulness) as part of the installation BombenBunkerStimmung next to the entrance. This part of the Air Raid Shelter was used by an Antiquities Dealer. The images with the grey frames and the Silver Gelatine Prints on Glass in Front of a a Grey Background were added by me; View into the exhibition Zeit, organised by GaDeWe in one of Bemen's Air Raid Shelters from the Second World War, Bremen, 2000

At the exhibition Zeit, organized by GaDeWe in one of Bemen’s Air Raid Shelters from the Second World War, Bremen, 2000 …weiterlesen